Portrait
of the elderly Master Jing. By an anonymous painter. Hanging scroll in
ink and colour on paper. Qing dynasty, ca. 1768. The George Crofts
Collection. Gift of Mrs. H.D. Warren. 921.32.98
Faces to Remember: Chinese Portraits of the Ming and Qing Dynasties (1368 - 1911)
(Toronto, Ontario – April 9, 2013) - The tradition of
hosting highly visual exhibitions in the Herman Herzog Levy Gallery at
the Royal Ontario Museum (ROM) continues with Faces to Remember: Chinese Portraits of the Ming and Qing Dynasties (1368 – 1911) .
On display at the ROM from May 18, 2013 to February 23, 2014, Faces to Remember
features Chinese portraits created during the Ming and Qing dynasties,
and comes from the renowned collections of the Museum’s Far Eastern
section.
Showcasing a culturally important, but often-overlooked aspect of
Chinese art and culture, the exhibition’s portraits are astonishing in
their detail and embedded symbolism. The visual appeal of the
exhibition’s 25 works – some remarkably large - is enhanced by a number
of sartorial and personal accessories, objects carefully selected for
their resemblance to those seen in the paintings.
Dr. Ka Bo Tsang, ROM Assistant Curator, Chinese Pictorial Arts, is
the exhibition’s curator. She explains, “Portraits are a way to
commemorate people, whether known or unknown to us. The portraits
displayed in the exhibition, as well as the personal accessories,
provide us with a better understanding of the Chinese people of the
past, their aspirations and moral values.”
Faces to Remember showcases traditional Chinese portraiture
as well as Western influences on Chinese painting techniques. It also
examines Chinese concepts of celebrating memories of the dead; explores
the reasons behind the commissioning of portraits; and illuminates the
techniques used by painters to meet their clients’ expectations.
These paintings, on paper or silk, portray members from all classes
of society during the Ming and Qing regimes. Scholars, civil officials,
elderly men and women, members of the imperial clan, military officers,
a mother and two young sons, a father and an adult son, and several
members of one family are among the portraits’ subjects. Numerous
indicators of the sitter’s social status, including clothing, are
evident in each work. While visitors can expect enlightening contextual
information about the sitters’ lives, delivering a better understanding
and appreciation of the portraits and those depicted in them, little
is
known of most artists behind the paintings, not even their names.
Highlights abound in this intimate exhibition, including Portrait of the Elderly Master Jing, created to celebrate his new official appointment in an interesting and vibrant locality; Portrait of a fourth-rank official , executed in oil on paper – materials unusual in both Western and Chinese painting traditions; and Portrait of Yang Moulin , a classic example displaying all features typical of a Ming-dynasty ancestor portrait.
Faces to Remember: Chinese Portraits of the Ming and Qing Dynasties (1368 – 1911)
is included with general Museum admission. Visitors are encouraged to
stop into nearby galleries devoted to Chinese art, sculpture,
architecture, and temple art to fully round out their exhibition
experience.
Herman Herzog Levy Gallery
Located on Level 1 of the ROM’s Philosophers’ Walk building, the
Herman Herzog Levy Gallery is the Museum's main venue for its diverse
slate of rotating East Asian exhibitions - themed displays drawn from
its vast collections of Chinese, Japanese and Korean artifacts. The
continually changing nature of the Levy Gallery allows it to showcase
the broad scope and diversity of the ROM's collection of Far Eastern
art, while ensuring the preservation of these objects. The gallery is
named after Dr. Herman Herzog Levy (1902 - 1990), collector of East
Asian art and long-time friend of the ROM. Thanks to Dr. Levy’s
generosity, nearly 300 objects of East Asian art have been added to the
Museum’s collection.
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